It was my birthday earlier this week and one of the presents I received from my family was a light meter – a Sekonic Flashmate L-308s to be exact. This little gizmo is hardly the most glamorous gadget in the arsenal of video gear and probably nowhere near the top of most camera peoples’ wishlists, but nevertheless I decided that it was time to get one. Now I shoot quite a lot of video and you may be wondering why I would ever need a light meter when most video cameras have histograms, wave forms, zebras and other exposure aids built in. It’s perfectly valid to question why anyone would want to spend more money on an item that is, in theory, debatable as to whether it is really needed in these modern times.

In this digital age and with the rapid advancement of technology has the light meter become more of a relic from a bygone era rather than an essential video making tool? Do photographers even need to use them anymore now that most shoot digital? Do we really need light meters for video?

The short answer is yes. But it’s not as simple as that. Depending on what you shoot, the answer may actually be no. To decide if you do need a light meter or not it’s worth considering the reasons why one might have one in their kit bag. You may be surprised at how many reasons there are:

Sekonic – a widely adopted brand of light meters

1. To get the most accurate exposure:

First and foremost and the most obvious reason for owning one. I’m not discounting inbuilt light meters in digital cameras but the truth is a quality light meter will always be the most accurate way to measure exposure because that is their primary purpose. Inbuilt light meters usually feature modes that rely on averaging the exposure by taking several readings across the frame. Using an averaging mode can sometimes result in the camera been tricked into the wrong exposure because it averages the whole scene rather than taking a reading of the subject you are focusing on, meaning your subject could end up over or under exposed. Using a light meter here can allow you to expose the correct area of the frame first time round.

The back light here was deliberately over exposed so that it was unrecoverable in post but if I wanted to I could have measured it so it was specifically 1 or 2 stops over the rest of his face.

2. It is easier to control your contrast:

Once you have established optimum exposure of your subject, a light meter can be used to balance the other areas of the frame to help create the look your production desires. For instance, you may want everything to be flat and even for a corporate video or high contrast and moody for drama. You could always judge by eye but knowing exactly how many stops over or under areas of your image are you can have confidence knowing that you’re being accurate. What’s more, if you know the dynamic range of your camera you can expose your images in a way that lets you have a greater degree of flexibility during colour grading if you want it.

3. You can have a more efficient location recce:

When you visit a location how do you know what equipment to bring if you don’t know how good the natural light really is? Our eyes can be deceiving and lead us into thinking the natural light can do all the work but really the only way to be fully prepared is to measure that light and then make the decision.

Metering will improve your efficiency in setting up.

4. You can light a scene before the talent arrives (and quicker):

This is a very important point. If we could only light when the talent (or a stand in) was in shot we would never get anything done. Of course, once the talent is in the frame you may want to make some small adjustments but being able to set the exposure beforehand will help save you and everybody else’s time and money. Adding to this, if you have to run back and forth between adjusting a light and viewing the histogram or waveform this can be quite time consuming.

It doesn’t matter which camera you decide to use, a light meter could assist you with exposure for any model that lets you set exposure manually

5. Video & photography skills often overlap. Embrace this:

For the DSLR video shooters out there, you’ve probably learned a thing or two about photography whilst you’ve been at it. You may have tried out long exposure and timelapse photography out of curiosity, the latter of which can certainly add an interesting element to your videos. Much of this may be a result of simple trial and error until you get pleasing results (this is certainly how I used to do it), however using a light meter can help you to reduce this method and once again save you time. What’s more, you could go further down the photography route later on and so having a greater understanding of exposure and light now could actually make you more employable in the future.

This photo of the old family dog ‘Dolly’ was taken on my old pentax 35mm film camera. Although it’s a lovely photo, if I had taken a reading off of her fur rather than relying on the inbuilt meter to average it out then it wouldn’t have appeared slightly over exposed, as being a golden lab her fur was actually a shade darker.

6. You open up the possibility of shooting on film:

Ever had that burning desire to go old school? We all have. With Kodak’s recent announcement of a new (yes, new!) Super 8 film camera you may just get tempted further into experimenting with film.

Now, many 35mm stills cameras have inbuilt spot meters, as do super 8 cameras, however, once again they may not always be the best option for you, especially if these meters calculate an exposure based on averages. Of course with digital cameras you can readjust your exposure and snap again but with rolls of film this can be an expensive thing to do so you have to be much more conservative with your shots. Taking proper exposure readings will eliminate the need for guess work and ensure you become comfortable with the format.

And finally..

7. You look like you know what you’re doing:

In other words, you look like a pro. That’s a good thing, right? Oh, and you can give accurate orders to an assistant (this is invaluable)!

So, taking these points into consideration, what kind of video shooters could benefit from using a light meter?

I believe the answer is anyone who wants or needs to light their productions to a high standard. This includes those who work in (but is certainly not limited to) commercials, drama, green screen and stills photography. Aspiring DOPs certainly need one, hence why I got one. For conferences, weddings, run and gun documentaries and corporate videos, you probably won’t need one. In these instances you can simply rely on your camera’s exposure aids and you won’t have to fork out for an expensive item that may just end up gathering dust.

At the end of the day the decision of whether you need a light meter or not is down to you and it all depends on what you shoot and/or what you want to shoot. Light meters aren’t the cheapest tools out there so, as with everything else, only get one if you really need it. If you decide that you do need one however, it could be one of the most important investments you’ll ever make in your video career.

If you would like to find out more about lighting check out this article on why good lighting can sometimes be more important than the camera and how a cheap reflector could be your most important lighting accessory (after the light meter of course!) .